Film, Politics, and Human Rights: Vol III
Keywords:
cinema, Politics, human rightsSynopsis
The book brings together a collection of works that reflect on cinematographic pieces with the common goal of turning them into instruments of philosophical, political, and historical reflection. In keeping with the previous volumes, the third and final volume of this series is organized around several issues related to the filmic-political representation of certain lives that inhabit or are produced and reproduced on the margins: denied existences, which are excluded or not counted—in neither of the two most common senses of the human act of counting.
Chapters
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Foreword
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Presentation
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The documentary lyricism of Gerardo Vallejo
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The persistence of the condemned
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Nanook and the Gramophone
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The meaning of a struggle. On The Battle of Chile: The Struggle of an Unarmed People, by Patricio Guzmán
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What is there and its modes. Reflections on Nostalgia for the Light, by Patricio Guzmán
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Reflections of a viewer of Jeanne Dielman, by Chantal Akerman
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The Days and Works of Jeanne Dielman
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On a controversial cartography of memory. On Branco sai, preto fica, by Adirley Queirós
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Everything synthetic vanishes into thin air. About Field Niggas, by Khalik Allah
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