Languages of Memories and Human Rights in the Southern Cone 1970-2022
Keywords:
Human Rights, Language, MemorySynopsis
This book talks about memories as a central node that undoes idle temporal linearity to give way to an evocation in which the future is an Ariadne's thread that weaves and knots together times. Approaching memories through the languages of culture also empowers us to break with the monotony of a single disciplinary voice and seek an epistemic articulation that is nourished by the Social Sciences, Humanities, and Arts in dialogue with other knowledge and life experiences. Multiple memories move through territories where reflection not only needs critical discourse but also poetry "in the first voice," narrative "in the first voice," or the collapse of genres, because the delimitation of the borders between them is too small for the voices that remember. Memories are also found in spaces, in search of a new semiosis of the past, that question monuments and heritage, or in philosophy that turns to bodies and photography to build a discourse that can glimpse what cannot be fully said.
Chapters
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Foreword
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I | Memories: Between Reflection and Practices
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Memory and Community Resistance Against Life Selection Practices
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Saying the unspeakable
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Re-Thinking Knowledge and the Book "Nosotras en libertad" 2021
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An Eternally Living Archaism. Some Dilemmas on Time and Memory in Mikhail Bakhtin
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II | The writings of sons and daughters
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Memory and Literature: The "Expedientito Ahora y Siempre" 2021, by María Ester Alonso Morales
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"Daddy, where are you?" Memories and resistance in the female voice of a childhood diary
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Fuzzy Memories: The Borders in the Literary Narrative Imagination of Sons and Daughters
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Childhood and dictatorship, or literature?
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III | Subjects and Sites of Memories
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Córdoba Prisons as Heritage. Tensions Between Memory and Oblivion
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Subjects and Places of Memory: The Dictatorship in the San Martín Neighborhood
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From One Box to Another? Challenges and Tensions in Preserving Prison and Concentration Camp Artistic Production
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The Use of Photographs in Territorial Commemoration Spaces. The Case of the Firu and "Gordo" Raúl Caves
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Decentering Memory. Memorial Policies at the Space for Memory, former ESMA
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Geological Memories of Damage and Resistance Against Megamining Extractivism
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Dismantling Prejudices When Remembering: When a Gendarme Visits La Perla
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IV | Literature: Exiles and Extraterritoriality
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Places and Voices of Memory in Current Argentine Narrative
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Memories and Exiles in Juana Bignozzi's "Regreso a la patria"
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Laura Alcoba, exile, and signic displacements
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"Trains will have passed without me." From black bile to nostalgia in the exile poetry of Valparaíso: Alicia Galaz and Osvaldo Rodríguez"Trains will have passed without me." From black bile to nostalgia in the exile poetry of Valparaíso: Alicia Galaz and Osvaldo Rodríguez
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The states of exile in Cristina Peri Rossi
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Between Memory and Literature: 2001 and a Reinterpretation of Gaucho Melancholy in Roberto Bolaño's 'El gaucho insufrible'
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V | Memories, Women, and Dissidence
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From Art to the Archive: The Rhythm of the Night or the Dance of Nocturnal Memories
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Sexuality, Affections, and Memory in a Horror Story by Mariana Enríquez
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Memory as a Politics of Reading in the Narrative of Diamela Eltit
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Political Dissent and Gender in the Poetry of Alcira Fidalgo
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Juana Lucero by Augusto D`Halmar: A Glimmer of the Travesti Subject in Chilean Literature
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Nomadic Cartography: Memory and Human Rights in the Transmasculine Subject in Yosa Vidal's "El Tarambana"
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I spy, what do you see: Analysis of the "Psychological study of female inmates according to their lived experiences" written by intelligence personnel in the last Uruguayan dictatorship
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VI | Visual and Bodily Languages of Memory
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Bodies in Flight: Profanations that Create Memory
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Post-dramatic aesthetics in the biodrama of Lola Arias
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Logbook of a fictional period film shoot at the La Perla CCD (Clandestine Detention Center) Memorial Site
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The Generation: A Place of Memory
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Testimonies and Visual Record of Memory in Catamarca
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From Photographic Object to Symbol of Memory: The Case of the Photographs of the Detained-Disappeared during the Military Dictatorship in Chile
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After the Dictatorship, Images: Possible Displacements of the Dictatorship's Imaginary from the Prism of the Social Outburst in Chile
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VII | Memories and Popular Cultures
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The Memory of the Common in Graciela Huinao's *From the Hearth of a Huilliche Brothel*
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Cultural Heritage and Popular Repertoire in Córdoba in a Female Key: Between Traditional Aesthetics and Aesthetical Innovation
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Williche Literatures of the Patriarchal Entronque, Millaguir and Huinao: Counter-narratives of Violence in the Commodity-Producing Hetero-wingka Patriarchy
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VIII | Poetic Forms of Memory
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Recovery of Memory in the novel *Casas Enterradas* by Carlos Manuel Fernández Loza
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"Wandering in the Shadows": Nostos in the tangos of Alfredo Le Pera
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The Singing of Flies and the Palpitation of Memory: Poetry as a Place of Mourning in Colombian Society
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The Poem as a Refuge for the Voice: Alcira Fidalgo
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Allegories of death and the fragmentation of the exiled subject's identity in *Pseudonyms of Death* by the Chilean poet Gonzalo Millán.
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IX | Motherhoods, Childhoods, and Memory
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Neither forgiveness nor oblivion. The Chilean dictatorship in children's literature
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Memory of childhood in Laura Alcoba's trilogy
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Rhetoric of Militant Motherhood: Transatlantic Memories in *La voz dormida* (2002) by Dulce Chacón and *Aparecida* (2015) by Marta Dillon
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X | Memories: The Blog and the Archive
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Delmira Agustini: Poetry, Myth, and Archive
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The Promotion of Reality in Tomás de Mattos
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Havana, Autofictional and Performative. A Literary and Political Reading of Dazra Novak's Blog
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XI | Dystopia and Posthumanism
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La retrotopía en *Subte* de Rafael Pinedo: el (des)orden del progreso hacia el pasado
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Residual Humanity in Junkyard-Territories: A Warning about Impunity in *Nuestra Parte de Noche* (Mariana Enríquez) and *Tierra Amarilla* (Germán Marín)
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