Theater, politics, and university: the Department of Theater, a modern stage. Córdoba, 1965–1975
Keywords:
university theater, Córdoba (Argentina) - 1965-1975, National University of Córdoba. Theater Department, Argentine theater, Córdoba theater, independent theater, cultural policy, theater and politics, cultural movements, military dictatorship - influence on culture, arts education, theater and societySynopsis
This is one of three volumes of digital books produced by the Faculty of Philosophy and Humanities and the Institute of Performing Arts at the University of Buenos Aires (UBA), as part of the research project “Theater, Politics, and University: Córdoba, 1965-1975.”
The three books are being published jointly by the Faculty of Philosophy and Humanities Press and the Institute of Performing Arts of the Faculty of Philosophy and Letters (UBA). As Jorge Dubatti points out in the prologue “Towards a Cartography of Argentine Theaters” of the book that begins the series, “these three volumes represent a fundamental contribution to the knowledge of Argentine theaters (in the plural) and to the construction of an increasingly complex and rich national theatrical cartography,” adding that “the research works brought together in the three volumes fulfill this condition of radical cartography, mapped thinking, and an invitation to dialogue on cartographies beyond Córdoba.”
The works were produced as part of the research project “Theater, Politics, and University: Córdoba, 1965-1975,” carried out between 1996 and 1999 at the Center for Advanced Studies, directed by Horacio Crespo and co-directed by Nora Zaga. The project was subsequently based, between 2000 and 2010, at the Research Center of the Faculty of Philosophy and Humanities (UNC), under the direction of Adriana Musitano and co-directed by Nora Zaga.
The publication of the three volumes was subsidized by the Secretariat of Science and Technology, National University of Córdoba, and endorsed by the Department of Theater of the Faculty of Arts (UNC), the Argentine Association of Theater Research and Criticism (AINCRIT), and the Latin American Network of Performing Arts Documentation Centers.
Chapters
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1. The Theater Department of the National University of Córdoba
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Towards a cartography of Argentine theaters
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Researching university theater and political-educational activity in the 1970s
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From the Department of Performing Arts to the Department of Theater
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A modern setting. The institutional texts of the Department of Theater, reading standards
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The Fourth National Theater FestivalGrotowski, a presence of borders
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Pedagogical, aesthetic, and political transformation
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Views of the Past. Memory, Narrative, and Subjectivity. Theatrical Intervention in the UNC Theater Department (1965–1975)
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2. Student productions from the theater department
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Student production La blufa de las misericordias (1969)
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Theater and ritual at the National University of Córdobathe Grotowski experience of The Ritual of Man
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The Fourth Theater Marathon of the Theater Students of the National University of Córdoba: a socio-cultural phenomenon of the 1990s
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Staging and talking about the university. 1973/2009transformations in the relationship between theater and university
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Works by the Department of Performing Arts, and the Department of Theater
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