Hispanic Cartographies : Literature and Culture
Keywords:
Hispanic literature, Hispanic cultureSynopsis
This book offers a compendium of papers presented at the various sessions of the 13th Argentine Congress of Hispanists (Argentine Association of Hispanists and the UNC’s Schools of Languages and Philosophy and Humanities, May 22–24, 2024), grouped by themes related to the different periods and poetic styles of Spanish literature. The volume opens with the plenary lecture by Dr. Guiomar Ciapuscio, “The Heart and Its Metaphors: Overview and Analysis,” followed by two studies on Spanish culture, literature, and language in Córdoba: “The Baroque in Hispanic America: The Literary Baroque in Córdoba,” by Dr. Olga Santiago, and “Circulating Imaginaries in the Cordoban Colloquium,” by Professor Emerita María T. Toniolo and María E. Zurita, Ph.D. The following seven sections: “Between Centuries: Convergences and Transcendences,” featuring semi-plenary presentations on Spanish literature from the Middle Ages, the Golden Age, and the contemporary period. Presentations by the concurrent panels: “Oral Traditions and Writing in Medieval Culture,” “On María de Zayas and Other Writings of the Golden Age,” and “Convergences and Shifts. Spanish Literature from the 19th Century to the Present.” “Tribute to Almudena Grandes: Poetics Against Silence in *La madre de Frankenstein*,” “Readings on Subjects and Subjectivities in the Literatures of the Southern Cone,” and “Access to Academic Discourse.”
Chapters
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Presentation
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The Heart and Its Metaphors: Overview and Analysis
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The Baroque in Spanish America. The Literary Baroque in Córdoba
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Circulating Imagery at the Córdoba Symposium
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BETWEEN CENTURIES: CONVERGENCES AND IMPLICATIONS
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“I can never be certain of death, not even for a single day”: Isabel of Mallorca, first wife of Don Juan Manuel
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Mobility as an Imperative in *The Book of the Three Kings of the East*
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The Subtlety of Literary Connections in *El muerto disimulado* by Ángela de Acevedo
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“Guilty of Nothing More Than His Costume”: Captivity, Conversion, and the Staging of Otherness in Lope de Vega’s *The Free Slaves*
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Luis García Montero: A Few Necessary Truths
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Recognizing, Analyzing, Imagining: Situated Knowledge in Argentine Studies of Contemporary Spanish Literature
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ORAL TRADITIONS AND WRITINGS IN MEDIEVAL HISPANIC CULTURE
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Guardian, Counselor, Confidante: The Mother-Daughter Relationship in Medieval Hispanic Christmas Carols
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Guidelines for a Grammar of the Hagiographic Miracle of Berceo
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The History of the BNE MSS/10146 Codex of the *Historia Troyana Polimétrica*: An Examination of Its Stages of Production and Circulation
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The Medieval Spanish Lyra Minima: An (Almost) Forgotten Part of the University Canon. A Teaching Proposal for Its Instruction
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Social Representations of the Jewish People in Medieval Proverbs: A Proposed Methodological Approach
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“A little bird told me”: Talking Nightingales in the 15th-Century Songbook, Function and Meaning
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ON MARÍA DE ZAYAS AND OTHER WRITINGS FROM THE GOLDEN AGE
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Why Keep Reading Góngora in the 21st Century?: A Controversy's Journey Through Time
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A fugitive little bird, a caged rooster. Female dominance and animal imagery in the novel *Desengaño amando y premio de la virtud* by María de Zayas
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“I would rather not know the future.” The Sublime and Forbidden Knowledge in the *Emblemas Morales* by Sebastián Covarrubias
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“Because you resemble him so much, I want you to serve me, so that I may be served as a reflection of the one I once served”: mirrored deceptions in *La burlada Aminta y venganza del honor* by María de Zayas y Sotomayor
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Exaggeration—by a preacher? The Case of Hyperbole in the Sacred Oratory of Saint John of Avila
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“I was much better off with my other husband.” A crisis of masculinity in *El prevenido engañado* by María de Zayas
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CONVERGENCES AND SHIFTS. SPANISH LITERATURE FROM THE 19TH CENTURY TO THE PRESENT DAY
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Between dangerous journeys and carefree walks: following the path of fragmentation in the writings of the self
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Building Ourselves Through Relationships: Women’s Freedom in Aline Kiner’s Play *La noche de las beguinas* by Aline Kiner
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Missing Persons and Disappearances in *The Things We Lost in the Fire* by Mariana Enríquez
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“Before I became a writer, I wanted to be sick, but I lacked the talent.” Poses and Postures in Juan José Millás
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“Quema” by Ariadna Castellarnau: A Dystopian Story
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Telling Stories Through Friends: The Private Lives of Nations in the Work of Carmen Martín Gaite
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“Gloria Fuertes Was Born in Madrid”: Women Poets and Urban Journeys in Postwar Spain
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“Writing: From Prefiguration to Configuration” in *How a Novel Is Written*, by Miguel de Unamuno
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Vulnerable Adolescents in Violent Contexts in Two Plays by Diana de Paco
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Ways of Speaking About Old Age: Representations, Fictions, Essays
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Music, Grief, and Migration in *No te veré morir* by Antonio Muñoz Molina
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Museum and Fiction: On Intermediality and Transmedia Narrative in the Work of Jorge Carrión
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“Frankenstein's Mother” by Almudena Grandes: Madness and Monstrosity During the Franco Regime
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Portraying Old Age: Benjamín Prado’s “Old Glory”
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Creating Another Time: Motherhood, Democracy, and Writing in *Tiempo de espera* (1998) by Carme Riera
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Reading Galdós: Zambrano’s Critique and Unamuno’s Exegetical Model
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Ambiguous Pacts Here and There: Displacements and Literary Voices by and about Spanish Migrant Women, from the 19th to the 21st Century
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Depictions of Old Age in Luis García Montero’s Latest Poetry: A Return to Public Intimacy
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Lope and Lorca: The Self-Constitution of the Author as Subject for a Renewal of Theater
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What can we learn from Guillermo de Torre’s first edition of *Hélices* about the history of the Spanish avant-garde?
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TRIBUTE TO ALMUDENA GRANDES
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Presentation
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When It Comes to Survival: Stories of Triumph in *Frankenstein's Mother* by Almudena Grandes
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Between Medical Gowns and Cassocks: Strategies for Concealing Sex-Gender Dissidence in *Frankenstein's Mother* by Almudena Grandes 497
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Theater as Part of the Creative Process in *Frankenstein's Mother* by Almudena Grandes
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Reading Scenes from *Frankenstein's Mother* by Almudena Grandes
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Here we are, on the edge of the wound
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READINGS ON SUBJECTS AND SUBJECTIVITIES IN THE LITERATURES OF THE SOUTHERN CONE
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Don Quixote and the Human Condition: Readings by Rosa Bazán de Cámara
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Subjectivities at Stake in *Las voladoras* by Mónica Ojeda
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Exile and Identity in Gabriel Casaccia
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19th-Century Reader Types: Audiences, Scholars, and Everyday Readers (1830–1865)
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Mariana Enríquez's Female Monster
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ACCESS TO ACADEMIC LITERATURE
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Argumentation as a Challenge in College Admissions
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Published
agosto 25, 2026
Copyright (c) 2026 Germán Brignone, Mabel Brizuela, María Teresa Toniolo, René Vijarra; Guiomar Ciaspucio, Olga Santiago, María Elisa Zuritaa, Gladys Lizabe, Carina Zubillaga, Mayra Ortiz Rodríguez, Marcela Beatriz Sosa, Laura Scarano, Daniela Fumis, Guadalupe Marcela Ficoseco, Javier Roberto González, Agustina Miguens, María Eduarda Mirande, María Belén Randazzo, Claudia Inés Raposo, Sofía Gina Barelli, Julia D’Onofrio, Ana Laura Iglesias, Agustina Otero Mac Dougall, María Laura Toledo, Juan Diego Vila, Cecilia Asurmendi, Laura Conci, Lucía Muñoz, Raquel Da Silva Ortega, Sofía Dolzani, Gladys Granata, Sofía B. Lamarca, Verónica Leuci, Néstor Macías, Noelia Vanesa Martinez Villegas, German Prosperi, Mirtha Laura Rigoni, Sabrina Riva, Cecilia Beatriz Rodas, María Julia Ruiz, Alejandra Suyai Romano, Mariano Saba, Mariela Sánchez, Gabriela Sierra, Sofía Eva Solustri, Marcelo Topuzian, Gloria Franchisena de Lezama, Andrea Soledad Calandra, Matías Ludueña Idoria, Noelia Vanesa Martinez Villegas, Viviana Ruzzi, María Gabriela Boldini, Gabriela Mondino, María Montserrat Herrera, Luisa Inés Moreno, Lucía Pose, Pablo Unda, María Virginia Bruzzo, María Celeste Aguirre, Vanina Zarza, Hugo R. Wingeyer
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Details about this monograph
ISBN-13 (15)
978-950-33-1944-4
